LIZ SLOAN’S BOOK OF RINGS

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LIZ SLOAN’S BOOK OF RINGS
AO TO SHIRO, 2016

Sintra, Paper, Lucite
48" x 48" x 3"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS
SHIROKURO, 2016

Sintra, Lucite
48" x 48" x 3"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS
SIGNATURE, 2016

Sintra, Paper, Acrylic, Lucite
41" x 89"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS
INQUIRY, 2016

Sintra, Lucite
42" x 32"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS
INK BOX II, 2016

LED Lightbox, Lucite, Acrylic film, Paper
48" x 60"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS
STAY, 2014

Dibond, Lucite, Gesso, PVC
36" x 36" x 4"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS
ROULETTE, 2015

Dibond, Lucite, Gesso, Paper
33" x 33" x 4"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS
ATOMIC, 2016

Lucite, Acrylic Film, Wire
41" x 39" x 40"
Courtesy of Quogue Gallery

LIZ SLOAN’S BOOK OF RINGS

QUOGUE GALLERY SPEARHEADS HAMPTONS RISING STAR AT ART BASEL

Liz Sloan is a Hampton based artist whose introspective addresses concepts of self realization and enlightenment. The artist’s calls her collective, Ki Path, tapping the Japanese notion of the active life spirit that imbues the work with its elemental energy.

Courtesy of Quogue Gallery

Sloan’s aesthetic skillfully combines this Asian source with touchstones of European and American Modernism, all harmonized by her highly personal touch as a painter who is a master of design. A hallmark of Sloan’s technique is the ability to think in three dimensions, drawing on her firm grasp of fine art, design and construction principles. Her long-term commitment to painting comes together with collage and assemblage, all unified by the thematic use of the circle. As the artist explains in a statement:

Courtesy of Quogue Gallery
Courtesy of Quogue Gallery

“I circle back to my roots as an oil painter and designer to create collage and 3D paintings using both found objects and pre-designed Lucite, aluminum, wood and paper pieces. Painting with more than oils reflects how many resources and services are available to an artist today and how viable all of them are. In my work you’ll find passages where I intersect a drafted pencil line with a paper cut-out that’s been layered with an expressive hand drawn oil pastel gesture. In my 3D work I combine pencil lines with pre-designed Lucite circles that have been manipulated with paper and paint and are suspended away from the traditional picture plane.”

Courtesy of Quogue Gallery

The basis for her work is the painting studio and drafting table. A wizard with form, she can integrate aluminum, Lucite, paper, even bronze in layered constructions that retain the traditional integrity of oil paint on canvas or paper. As the artist says, “The needs of an artist far exceed what can be sold in an art store. There are so many materials out there. I love the gloss and thickness and saturation of color in Plexiglass¬¬” I was an oil painter to start and then I just wanted to play with solid blocks of color. That brought me to paper and collage – creating blocks and fields of color – that might be done with a brush stroke, but on the surface I did not want to see the movement of the stroke.”

Courtesy of Quogue Gallery
Courtesy of Quogue Gallery

The phraseology of Sloan’s artistic compass is what will make her a jewel among the art elite.

44 Quogue Street, Quogue, NY 11959
quoguegallery.com
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